769. Red Brain Mi-Go Freddy

The film used handheld cinematography, which was the most normal way of shooting for a beginner, especially a user of this kind of old-fashioned camera.

If handheld cinematography wasn't handled well, it could easily make viewers dizzy and nauseated after watching for a while.

That was why modern films, even when they wanted to simulate the realism of handheld footage, still used stabilizers.

Stable shots had always been a difficult problem in filmmaking. Ordinary tracks had to be laid out in advance and were impractical in complicated environments. Most cinematographers still relied on Steadicam vests—in other words, they wore heavy, complicated equipment on their bodies to stabilize the camera lens.

It was no wonder that when some drone manufacturers developed handheld stabilization equipment, the entire industry turned its attention in that direction.

There were many classic handheld shots, and some films had been shot entirely handheld. As for the footage captured by this young filmmaker, all one could say was that, for a beginner, his hands were fairly steady.

The footage recorded a scene from some unknown Miskatonic Film Festival. It clearly had a certain sense of age to it. The vehicles driving along the streets weren't the most modern models, and people still used flip phones and candy-bar phones rather than smartphones.

Just as the group was about to see what happened next, a burst of static swept across the screen, and the Video Tape stopped playing.

"Huh? Did something go wrong?"

Scott took out the Video Tape and examined it, but couldn't find the problem.

The film cut off just as the opening ceremony was about to begin, which naturally made them anticipate what would happen next.

"There isn't anything after this."

Scott checked it for a long time, but still couldn't find the problem.

"Didn't his mother