Ch. 1As Cannon Fodder
Summary of Chapter: "As Cannon Fodder"
- Key plot points/events: Wen Shuang wakes up in an unfamiliar, dark, mamba-style hotel room. He gradually realizes he has transmigrated into a novel he once read, The Little Misfit Has Springtime. He identifies his current situation: he is the villainous cannon fodder character (also named Wen Shuang) who sneaked into the hotel to seduce Xuan Zhe, the domineering CEO second male lead, using a stolen black card. Hearing the bathroom water stop, he panics and tries to flee, but instead hides behind a suit displayed on the wall. Xuan Zhe emerges from the bathroom and, while drying his hair, casually removes the suit—exposing Wen Shuang’s hiding spot.
- Character developments: Wen Shuang’s personality is established: he is impulsive, internally dramatic, and humorous, with a habit of finishing anything he starts (even a badly plotted novel). He is horrified to be trapped in a "cannon fodder script" and initially thinks only of escape (the "thirty-six stratagems, fleeing is best"). His fear is mixed with meta-commentary on the original story’s plot holes (e.g., how the original owner got in without being caught). Xuan Zhe is portrayed as calm, composed, and physically imposing; his simple action of taking the suit reveals he is oblivious or indifferent to the hidden intruder, setting up an inevitable confrontation.
- Significant themes: The chapter introduces the classic transmigration scenario of a reader being thrown into a novel as a disposable character. It plays with the absurdity of illogical storylines, using Wen Shuang’s internal complaints to mock the source material’s weak plotting. Humor arises from the stark contrast between his desperate, comedic internal monologue and the tense, sensual setting.
- Character interactions: The only real interaction is one-sided: Wen Shuang watches Xuan Zhe from behind the suit, while Xuan Zhe moves impassively around the room and eventually uncovers him. The phone call from Cao Nanyu (Xuan Zhe’s assistant) is noticed but not answered. No dialogue occurs; the chapter ends at the moment of visual confrontation, with Wen Shuang trapped and the plot forcibly moving forward.