This explanation is quite reasonable.
After all, no matter what kind of reader you are, you can't accept a bland plot. There will always be some twists and turns.
A group of Nameless who know the enemy is invincible but still want to challenge them are undoubtedly the most suitable characters for the [plot] and can add a lot of color to the [plot].
"The crux of the problem is that if the author's ability is really that bad and can predict all our future actions like Nous, then what else can we do?"
Every time [Script] changes, Himechi Cat can always see his new behavior on [Script].
Everything after that has been calculated. What is the difference between this and dealing with an enemy who can predict the future?
The enemy is so infernal that Himechi Cat is ready to pluck some white hairs from his own body and twist it into a white flag for surrender.
"Don't be so pessimistic."
Even Return to Silence, who was able to manipulate possibilities, was crushed by a train in the end. How could an unknown person in a remote star field be so capable?
Himeko thinks it is unlikely. It must have its own weaknesses. Instead of just hitting it and being invincible in the world, that is a bit nonsense.
Judging from the description of the Book-on-Paper Kingdom at the beginning, it seems that those who are not determined will soon be completely integrated into the plot and completely unable to escape from the world.
By the way, is Sunday the kind of person who wants to touch this book when he sees it on the road? Himeko thought that only the naive children in the car would do such a thing.
But when I think about it carefully, it seems very reasonable. Who said Sunday is not an innocent child? If Himeko says it is, then he is.
"Old day, do you have any good ideas?"
"I'm sorry, I haven't come up with any particularly effective solution yet."
Sunday shook his head. Although he is now able to resist the erosion of [Script] and can use the power of Harmony to help others escape from Script, these behaviors all appear in the plot without exception.
Even if he tries his best to cause the plot on [Script] to deviate, he will soon be covered by a new plot, and his every move will be predicted by the plot and there is no way to escape.
"Don't worry, since the other party wants to play, let's play with him." Himeko looked at the system, and the mysterious reward on it made her guess.
[Script] was able to write about their subsequent behavior. It is very likely that the author behind the scenes used the environment and characters that his subordinates could control, and inferred the words and deeds of outsiders like them to write it.
Then through some subtle means, outsiders are gradually integrated into the already established plot.
In this case, as long as the plot is uncontrollable, wouldn't it be simple?
What to do?
"Sunday, can you please go back to the train with me first?"
"Of course."
Sunday doesn't understand, but Navigator has said so, she must have her own reasons, and that's it if she agrees.
Himechi Cat raised his paw,
"Q: We are in the book now, how do we get out?"
"That's a really good question."
Himeko looked at Sunday, hoping that Nameless, who had arrived here first, could provide some useful experience.
"I'm really ashamed. When I regained consciousness, I was already in this city. I didn't have the experience you mentioned."
As soon as Sunday opened his eyes, he found that he had an extra copy of Script in his hand. After struggling for several days, he was finally forced to hide in the sewer. Only now did he meet Himeko and others.
Sunday knows very little about this world, but it is no better than nothing. It is about the same as what the locals know, and what he knows is what others are willing to let him know.
"It doesn't matter, there will always be a way."