Ch. 981Chapter 980
Key plot points
- The players’ command group discovers that ordinary-looking birds are being used to spy on them. The birds are not undead, and the group suspects hidden surveillance rather than an obvious magical threat.
- Bound by William’s order not to attack a sovereign nation without proof, the players decide to wait. Xue Yunfeng expects the current regional quest to wind down soon; a Goblin disaster or an invasion from Thay could trigger the next one.
- The camp is being built as a future base, with a teleportation array so players can leave while one family remains to keep watch.
- Back in Calimshan, Fairies and music-loving Elves perform symphonies and adapt fairy epics into operas. Their performances have helped secure Vera’s standing as queen and attracted more Fairies to her forests.
- Hill, Selûne, and Shar discuss the Gods’ costly return to Toril, the weakening of divine power networks, and the consequences of Waukeen’s actions. Shar predicts that Waukeen and Helm may eventually become evil or fall because of their involvement in slave trading.
- The conversation turns to Edna’s approaching adulthood. Shar says she will not intervene personally, but her followers will oppose Mystra’s representative—leaving the outcome to chance.
Character developments and interactions
- Xue Yunfeng stays practical and patient, assessing the quest’s limits and advising the group to wait for a genuine opportunity.
- Old School Striking King grows impatient with inaction, then wistfully wonders whether Edna will outgrow her. Her teasing exchange with Rainfall and Old Dog turns into a comic scuffle.
- Hill is curious about Toril’s past and the Gods’ motives, but recognizes that probing too deeply could endanger his chance to leave.
- Shar remains calculating and openly distrustful of Waukeen and Helm, while insisting that using agents is not the same as acting herself.
- Selûne playfully teases Hill and Shar, and readily shifts the discussion toward Edna and the coming conflict.
Significant themes
- Patience and indirect conflict: The players cannot act without evidence, so they wait for events to create an opening; Shar likewise relies on followers rather than direct intervention.
- The cost of divine power and intervention: Gods face trade-offs as their networks weaken, and their grudges and ambitions shape events in Toril.
- Moral hypocrisy and exploitation: The sisters condemn slavery, contrasting it with the more conventional violence of war.
- Art as cultural influence: Music and performance help connect communities and strengthen Vera’s political legitimacy.
- Curiosity versus self-preservation: Hill chooses not to pursue dangerous questions, aware that knowledge may make it harder for him to leave Toril.