Seventy-Six

Biodata

Feature	Information
Name	Seventy-Six (七十六) 114
Alias(es)	Codename Seventy-Six 114
Gender	Female 114
Occupation/Role	Massage therapist; later a live streamer on Hulabaji 114 119
First Appearance	Mentioned as a former female technician in Shencheng 58; introduced in person at the massage shop 114

Appearance

Seventy-Six is described as young—six years younger than the Boy—and initially presents herself as steady and composed. She wears glasses, but has poor enough vision without them to nearly collide with people and a utility pole. 114

• Wears glasses; struggles to see clearly without them. 114
• Initially dressed and behaved demurely; later appears in ripped jeans with bare legs despite cold weather. 125

Personality

At the massage shop, Seventy-Six comes across as shy, reserved, and appreciative of the Boy's talents. She develops stronger ambitions after entering the relationship, including pursuing study abroad, starting a micro-business, and later becoming a streamer. 114 117 119

Her relationship with the Boy exposes a markedly different side: she repeatedly lashes out, curses, and becomes physically violent toward him, then apologizes or promises to change. She acknowledges that she cannot control herself, but refuses ongoing efforts to seek professional help. 116 117 118

She is notably inconsistent in private and public. The Boy observes that she acts quiet and sensible around others, including his family, while behaving confrontationally toward him in private. 117

Background & History

Childhood and education plans

Seventy-Six's father was imprisoned during her childhood, after which both parents remarried and had other children. She was raised by her grandmother at her uncle's home, where she was expected to perform household work to justify her place in the family. 114

As an adult, she went to Singapore to find her mother, learned massage work, and saved money. Her mother then contributed toward one year of tuition at a school in Korea, while Seventy-Six planned to support herself through work while studying. 114

Relationship with the Boy

Seventy-Six meets the Boy as a new colleague at a massage shop. Their first outing begins after she agrees to treat him to hot pot; he later wins her a white puppy plush and a small white bear from claw machines. She admits that she likes his capability, flair, and singing, and they begin dating. 114

After three months together, she tells him she intends to study in Korea for at least six years. Although the Boy cannot promise to wait, he encourages her not to abandon her dream for him. She leaves from the station, but returns roughly a week later because she fears he will break up with her if she stays away. 114 115

They begin living together, but their relationship becomes increasingly unstable. The Boy supports her financially and performs much of the household work, while Seventy-Six becomes more demanding and repeatedly hits, scratches, pinches, and curses him. 115 117

Mental-health concerns and breakup

After contacting a therapist, Seventy-Six is urged to seek an in-person psychological evaluation; the therapist's message suggests possible bipolar disorder and other serious symptoms. Seventy-Six initially agrees to seek help, then later denies being ill and refuses to go. 116 117

The relationship escalates into mutual physical confrontations after the Boy discovers that she has told another man she is single and might date him. Seventy-Six apologizes afterward, but resumes her earlier behavior within a week. 118

After discovering she is pregnant, the pair briefly attempt reconciliation and discuss marriage. Seventy-Six repeatedly changes her position, ultimately deciding to have an abortion and end the relationship. She later becomes a streamer instead of taking the recovery time she had claimed she needed. 119

Streaming and exposure

On Hulabaji, Seventy-Six discusses her relationship with the Boy during streams, portraying his support as her own actions and attributing her mistreatment of him to him. This motivates the Boy to resign from the massage shop, begin streaming as Wushuang Guigui, and seek to surpass her on the platform. 119 120

After the Boy becomes more popular, Seventy-Six secretly watches his streams through an alternate account. She publicly and privately apologizes for hurting him, but he responds that the past is over and remains emotionally detached. 124

She later attempts to reconcile with him, including visiting his hometown and spending time with him in Dalian. The connection ends after she borrows money, struggles to repay it, and asks for more. 125 126

Xihuan later tells the Boy that Seventy-Six had been in a relationship with him and had used approximately 150,000 yuan of his money. The Boy and Xihuan confront her in her livestream; when Xihuan uses an account she cannot block, she ends the stream. 126

Relationships

• The Boy / Wushuang Guigui — Former boyfriend and colleague. Their initially affectionate relationship deteriorates through recurring conflict, separation, attempted reconciliations, and eventual estrangement. 114 118 124 126
• Mother — Worked in the same industry in Singapore and helped fund Seventy-Six's first year of Korean tuition. 114
• Grandmother — Raised Seventy-Six at her uncle's home; Seventy-Six later wishes to take her on a trip. 114 116
• Xihuan — Former romantic partner who says Seventy-Six controlled his salary card and spent about 150,000 yuan of his money; he joins the Boy in exposing her livestream conduct. 126
• Store Manager Sister — The massage-shop manager who approved Seventy-Six's relationship with the Boy and later warned her that the micro-business scheme was a scam. 114 117
• Tongtong — A woman around Seventy-Six who, according to Xihuan, helped convince him that Seventy-Six was trustworthy and that the Boy had lied. 126

Notable Quotes

“I'm sick, I'm mentally ill.” 117